| Who 
       would play you in the film of your life? |  | In 
      my dreams Johnny Depp in Chanel lipstick but in reality I'll play me and 
      Ulma Thurman all my ex-girlfriends. | 
     
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     | Which 
       painting would you nick from the national gallery? |  | I 
      would rather do a trolley dash around the Metropolitan Museum of Art but 
      I suppose it would have to be Paul Delaroche 'The execution of Lady Jane 
      Grey' | 
     
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     | If 
       you could paint anyone in the world who would it be? |  | My 
      wish list includes Marianne Faithful, Yoko Ono, Cynthia Payne and Jo Brand 
      .......you get the picture! | 
     
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     | What's 
       your worst christmas present ever? |  | Bright 
      green knee high socks with toes! | 
     
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     | Damien 
       hirst - hero or zero? |  | Unfashionably 
      I take my hat off to the man. I don't think I'd want to get stuck in a lift 
      with him but I think he deserves the praises he so frequently gets bestowed 
      on him. | 
     
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     | If 
       your paintings were to be hung in the tate gallery who would you like to 
       be next to? |  | Jenny 
      Holzer's inflammatory essays pip Gillian Wearing to the post. | 
     
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     | Where 
       do you get your inspiration for paintings? |  | They're 
      all of real people, so their behaviour will suggest certain images but there 
      are common themes running through like theatricality and ambiguous facial 
      expression. | 
     
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     | Which 
       song sums up your paintings? |  | Atmosperically 
      'At Seventeen' by Janis Ian, for the one line 'for ugly duckling girls like 
      me'. | 
     
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     | Which 
       famous person would you like to get drunk with? |  | Dorothy 
      Parker, but I'd probably be the butt of her jokes! | 
     
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     | If 
       you could take one of your paintings to a desert island which would it 
       be? |  | The 
      biggest one - Ame Lame 'Amy's Room' and use it as a raft to get away but 
      my favourite is 'Pinky' at the 
      moment. |